When we’re playing in the studio, I use a mic so I can call out directions as we jam. The song has horns, so I asked Trombone Shorty to play on it—we’d been talking about doing something together. “But I think, in the long run, man - and I’ve been around a long time - I think it’s really benefitted me to keep myself together. She thought it was beautiful, but a little too basic for me, so I went in and re-harmonized the final A section. Born in Brooklyn on June 14, 1959, and raised in musically rich Jamaica, Queens, Marcus parlayed early studies on woodwinds and the bass guitar into an unparalleled breakout. Then I’ll ask the piano player, ‘Which one do you like?’ And he’ll say, ‘I like number four’ because he played the best on number four…, “But there are some musicians that you ask and they’ll say, ‘I think number one felt the best’ or ‘I think number three felt the best’. “I’m a producer, and when we record a track, we record four takes one after the other and then the job is to decide which is the best take. I’ve seen a lot of musicians suffer. The song im talking about is Mr Pastorius. Plus since the promoters and halfwits at the radio stations here in Chicago always trot out the same tired acts its nice to imagine I'm at a Marcus Miller show. Marcus Miller is a guy you want at your party. I'm a huge Marcus Miller fan so take it with a grain of salt but this is an outstanding performance. Body Shape : New Marcus Miller Jazz Type. “No Limit” is one of my favorite tracks. We’re going into year four, and I’m having a blast. “7’T’s” has a guest solo from Trombone Shorty. She thought Sela Sue, who had guested with us in Europe, would be perfect because she can sing from sweet to raw, which is what happens between the verse and chorus on the Sly version [Fresh, 1973, Epic]—and she was right. Specific to the bass, I had already found a voice for myself using a lot of notes and playing percussively. There was a problem. If you’re playing by yourself and you’re playing solo, you can use a tone that features midrange and high-end, which are things that make the bass really clear. Thank you for signing up to Musicradar. Few players garner the sincere respect that comes when his name is mentioned. Finally, we brought in [guitarist] Jonathan Butler, who’s such a badass. “When I think of the guys that really made an impact on me - Jaco [Pastorius] played a 1962 Jazz Bass, Stanley Clarke plays an Alembic bass, Victor Wooten plays that Fodera, Larry Graham plays a Fender Jazz Bass and James Jamerson played a Fender Precision. The success has taken me by surprise. That song came to me while walking down the street in Detroit, and I sang it into my phone. “But when I went to play with these Senegal cats, the rhythm was the easy part! The Double Thumb Technique. Born in Brooklyn on June 14, 1959, and raised in musically rich Jamaica, Queens, Marcus parlayed early studies on woodwinds and the bass guitar into an unparalleled breakout. Since 1983, Miller has also enjoyed significant success as a solo jazz artist and bandleader. Then the bridge is pure ’70s Chaka Khan with George Duke-style piano—everything has an envelope-type sound on it. For decades a top-call session musician, his genre-hopping bass can be heard on more than 500 albums by artists ranging from Herbie Hancock to Donald Fagan and Aretha Franklin to Beyoncé. They were amazing.”. And he said, “Okay, and I’m gonna name the other one the MILLERIZER.” He said it exaggerates the highs and the lows, creating more of a mid scoop. They got it straight away! Marcus Miller SIRE V10 bass is equipped with the newly designed Marcus Heavy Mass Standard Bridge which was specially developed at the request of Marcus Miller. PastoriusRules. The guys in my band do that. Marcus Miller (born June 14, 1959 in New York) is a jazz musician, composer, and producer, perhaps best known as a bass guitarist with Miles Davis and David Sanborn.Miller is classically trained as a clarinetist, and also plays bass, keyboards, saxophone, and guitar, and is a capable singer. “Untamed” and “No Limit” have contemporary feels. I was like, “Where were you hiding this?”. The fretless ballad “Someone to Love” sounds like something you might have written years ago. When I played the band the melody, they all jumped on it, and things fell into place. They know how to play beautiful and very technically interesting things, but they kind of miss the main reason for playing music! Next he had his techs come out with various tweeters, and I found one with just the right highs. After he passed, I wanted to cover it again. That left plenty of room for Miller’s singular bass voice, with its feel-good signatures: back-pocketed slaps and pops, hard-plucked melodies that float over bar lines with vocal-like phrasing, and spontaneous solos, whose polyrhythmic intent arrives via hammers, trills, tapped passages, and three-finger rolls. I came up in the studio scene, where we played basses that sounded good direct. Sign up below to get the latest from Bass Player, plus exclusive special offers, direct to your inbox! This is an all-around bass that is suitable for fingering, slapping, and other techniques and styles of playing. I’d been with Fender for a long time, and doing a Marcus Miller Squier model didn’t sound so exciting to me, so I decided to try this, not knowing that it would get so big. The Marcus Miller file is well known by thumpers who long ago dubbed him the Thumbslinger for his funk-fueled fretboard prowess. I wrote the song for my dad, who would accompany me on piano for woodwind recitals when I was a kid. Jun 22, 2002 #1. You’re going to get fired but, as a musician, you can get away with a lot. Nothing is incidental; the programmers work on the same four bars for like two days. They stripped it down. How did you connect with Markbass for your new signature rig? The response to the video has been incredible. He plays in a group called Peculiar 3, with a former drummer of mine, Charles Haynes, and keyboardist Mitch Henry. “I don’t drink and I don’t smoke. England and Wales company registration number 2008885. I told him one of my beefs is turning a knob to its extreme and getting a harsh, unusable tone. This instrument is definitely of the Fender-style design. You will receive a verification email shortly. When Real Jazz Program Director Mark Ruffin first approached me, he said I could play whatever I want. We get a lot of 14-and 15-year-old hip-hop fans coming to our shows who are loving the musicianship; they want to get out of their virtual worlds and go see bands play and sweat. It’s not as easy these days because everything happens over the internet, so you don’t have guys playing together like they used to. I’ve got to do a little bit more work than somebody who just smokes a spliff or something, you know what I mean? “If you work in an office for a big corporation, you can’t show up high, period. You seem to be enjoying your SiriusXM Satellite Radio show. I added a third section, where Sela improvises and Adam Agati plays a killer guitar solo, to give this version a different flavor. His prowess as a multi-instrumentalist, songwriter, and composer has earned him two Grammy awards and the esteem of critics and musicians across genres. I said, “Let’s rename it OLD SCHOOL.”. I had interviewed Verdine White in his home music room for my SiriusXM show, right after Maurice White passed, and talking to him and seeing the gold records that lined the walls inspired me to do a cover. © Marcus Miller isn’t known for his double thumb technique to the same extent as Victor Wooten but like every other aspect of his playing, Marcus is a virtuoso of the highest order! Julia had the immense pleasure of interviewing the legendary Marcus Miller about his musical vision and took the opportunity to ask him about his playing techniques! Afrodeezia will form the musical focus point for Marcus Miller’s imminent UK shows, which showcase a truly stellar band line-up, including Mino Cinelu (percussion), Alex Han (saxophone), Brett Williams (piano) and Marquis Hill (trumpet). Our band leader would show us a groove with bass and drums, and we’d start playing the groove and he would say, ‘Okay, you all keep playing that. I just then had to work on the notes because some of them weren’t necessarily jazz musicians, so some of my notes probably sounded a little from outer space for them. And this includes me, too, because I’ve been playing the same [Fender] Jazz Bass since my mom bought it for me in 1977. The Maple neck had that full rounded profile associated with J basses, and the Ash wood body felt familiar. Jay-Z, Michael Jackson, Herbie Hancock, Mariah Carey, Frank Sinatra, George Benson, Elton John, Roberta Flack, Billy Idol, Bryan Ferry and Dizzy Gillespie are just a few of the artists that have called upon Marcus’s extraordinary talents on the four-string. If you’ve got guitars and keyboards and horns that all operate in the same midrange area, then you might need to get a big thick fat sound and fill the band up and help the drummer out, you know what I mean? But those are not the only hats Miller’s famed ’77 Fender Jazz Bass wears. I draw a parallel to when the “Great American Songbook” era ended and rock & roll came in and stripped music back down to its core elements. This bridge has characteristics of a vintage jazz bass but with heavy mass saddles, giving the bass a vibrant and punchy sound. And if something is behind the beat, it’s the same amount behind in every bar. Afrodeezia is available now via Blue Note Records. Artist: Marcus Miller Album: M2 Year: 2001 Bassist: Marcus Miller Power is a bass anthem in the key of B, which gives it a different sound to the usual slap-friendly keys of E and A. “The one complaint I’ve heard from other musicians about the new generation of bass players is that they don’t know how to make the music feel good. Hello, I have been trying to play a song by Marcus Miller for a while and I cant figure out the technique he is using to play it. What is the live component of the opener, “Trip Trap”? Marcus Miller SIRE V9 bass is equipped with the newly designed Marcus Heavy Mass Standard Bridge which was specially developed at the request of Marcus Miller. This bridge has characteristics of a vintage jazz bass but with heavy mass saddles, giving the bass a rich and punchy sound. Power by Marcus Miller is one of the most requested slap lines and with good reason. I was trying to take a modern hip-hop feel you hear on the radio, along with a contemporary gospel sound, with the three horns in the chorus. You know, it can take me a while to find the right headspace when I’m writing music or when I’m getting ready to go onstage. Marcus Miller sat down with Julia to talk about his career, finding his own sound and how you should approach your solos. His sound is so distinctive and massive. Although it’s really fun, and I have, like, 35 basses or something like that, I only really ever play one consistently. But people forget he started as a guitar player, so he also embraced the guitar part of the bass guitar—using distortion and effects, and playing upper-register chords and fills. This bridge has characteristics of a vintage jazz bass but with heavy mass saddles, giving the bass a vibrant and punchy sound. This year will be about supporting Laid Black. This is helpful if you want to "get down" without a drummer. I see a lot of discussion about Victor W. and Marcus M. and their double-thump or double-thumb technique - but I am interested in the double-pluck. “You’ve got to figure out what you’re playing, man, but listen to the whole sound and figure out what you can do to make the song sound good - like, don’t play your crazy sweet bass lick right in the middle of when the singer says the most important word in the song, you know what I mean? So we introduced the head in four different power ranges [1000, 800, 500, and 250 watts] along with 4x10 and 2x10 cabinets.
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