Die realistische Milieuschilderung, Dramatik und schicksalhafte Tragik machten sie zu einem Vorläufer des Verismo. José is arrested for dereliction of duty. However, Dean insists that "[t]his is a French, not a Spanish opera"; the "foreign bodies", while they undoubtedly contribute to the unique atmosphere of the opera, form only a small ingredient of the complete music. Zweifellos hat diese Idee von Intendant und Regissuer Uwe Eric Laufenberg Deutungspotential: Carmen als Kämpferin in der Arena des Lebens. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. The form in which the motif appears in the prelude prefigures the dramatic act 4 climax to the opera. [n 3] It deviates from Mérimée's novella in a number of significant respects. Brook first produced it in Paris, and it has since been performed in many cities. [32], Dean considers that José is the central figure of the opera: "It is his fate rather than Carmen's that interests us. After the smugglers leave, José arrives. In the final act his music assumes a grimness and purposefulness that reflects his new fatalism: "He will make one more appeal; if Carmen refuses, he knows what to do. Carmen is delighted to learn of José's release from two months' detention. (Frasquita, Mercédès, Carmen), Quant au douanier, c'est notre affaire (Frasquita, Mercédès, Carmen, le Dancaire, le Remendado, chorus), C'est les contrabandiers le refuge ordinaire (Micaëla), Je suis Escamillo, torero de Grenade! [25] Lesley Wright, a contemporary Bizet scholar, remarks that, unlike his compatriots Rameau and Debussy, Bizet has not been accorded a critical edition of his principal works;[78] should this transpire, she says, "we might expect yet another scholar to attempt to refine the details of this vibrant score which has so fascinated the public and performers for more than a century. [95] The long finale, in which José makes his last pleas to Carmen and is decisively rejected, is punctuated at critical moments by enthusiastic off-stage shouts from the bullfighting arena. [29] Jose's last words of love and despair are followed by a final long chord, on which the curtain falls without further musical or vocal comment.[96]. Carmen. Carmen and José enter with the smugglers and their booty ("Écoute, écoute, compagnons"); Carmen has now become bored with José and tells him scornfully that he should go back to his mother. Im Jahr 1961 war es noch kein Sakrileg, Bizets Oper "Carmen" in deutscher Sprache aufzuführen. Der Artikel Georges Bizet (1838-1875): Carmen (in deutscher Sprache) wurde in den Warenkorb gelegt. (Escamillo, José), Finale: Holà holà José! The opera found particular favour in Germany, where the Chancellor, Otto von Bismarck, apparently saw it on 27 different occasions and where Friedrich Nietzsche opined that he "became a better man when Bizet speaks to me". ", "C'est moi !"). "Carmen", am 3. [46] The final rehearsals went well, and in a generally optimistic mood the first night was fixed for 3 March 1875, the day on which, coincidentally, Bizet's appointment as a Chevalier of the Legion of Honour was formally announced. [63], In April 1883 Carvalho finally revived Carmen at the Opéra-Comique, with Adèle Isaac featuring in an under-rehearsed production that removed some of the controversial aspects of the original. [77] Each departs significantly from Bizet's vocal score of March 1875, published during his lifetime after he had personally corrected the proofs; Dean believes this vocal score should be the basis of any standard edition. [25] Carmen's habanera is based on an idiomatic song, "El Arreglito", by the Spanish composer Sebastián Yradier (1809–65). Georges Bizet. GEORGES BIZET (*1838-1875†) 3.2. [100][101] From the mid-1990s numerous video recordings have become available. [25][29] Bizet also changed the libretto, reordering sequences and imposing his own verses where he felt the librettists had strayed too far from the character of Mérimée's original. Micaëla appears, seeking José. Critical Edition edited by Robert Didion. Carmens Koketterie - mal lockend, mal abweisend - bringt den Soldaten Don José zur (Liebes-)Raserei. [112] Carmen on Ice (1990), starring Katarina Witt, Brian Boitano and Brian Orser, was inspired by Witt's gold medal-winning performance during the 1988 Winter Olympics. Carmen. de Solliers, Jean. She would rather die than be false to herself. Zoryana Kushpler (Carmen). Carmen. [57] Carmen was often performed to half-empty houses, even when the management gave away large numbers of tickets. [25][34] Curtiss suggests that Carmen's character, spiritually and musically, may be a realisation of the composer's own unconscious longing for a freedom denied to him by his stifling marriage. HANDLUNG - FIGUREN 3. She declines, saying she will return later. [73][76] Only late in the 20th century did dialogue versions become common in opera houses outside France, but there is still no universally recognised full score. (Le Dancaire, le Remendado, Carmen, Frasquita, Mercédès), Halte-là! Doch ihre Liebe ist kompromißlos und unberechenbar. Escamillo is heard in the distance, singing the toreador's song. Klavierauszug vom Komponisten neu revidiert von Kurt Soldan. ENTSTEHUNG - REZEPTION 3.3. As José departs, vowing to return, the fate theme is heard briefly in the woodwind. As the factory bell rings, the cigarette girls emerge and exchange banter with young men in the crowd ("La cloche a sonné"). The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence. Dean writes that Bizet improved considerably on the original melody; he "transformed it from a drawing-room piece into a potent instrument of characterisation". [87] The quintet that follows is described by Newman as "of incomparable verve and musical wit". [48] The critic Ernest Newman wrote later that the sentimentalist Opéra-Comique audience was "shocked by the drastic realism of the action" and by the low standing and defective morality of most of the characters. Guiraud also reorchestrated music from Bizet's L'Arlésienne suite to provide a spectacular ballet for Carmen's second act. Carmen ist ein aus dem Spanischen stammender Vorname, der auch in anderen Sprachen gebraucht wird, im englischen Sprachraum auch als männlicher Vorname.. Er bezieht sich auf María del Carmen, Nuestra Señora del Carmen (Unsere Liebe Frau auf dem Berge Karmel) oder Virgen del Carmen (Jungfrau auf dem Berg Karmel), mit dem Skapulierfest (16. Hallo, ich schreibe am Dienstag eine Arbeit zum Thema der Oper Carmen. "[77] Meanwhile, Carmen's popularity endures; according to Macdonald: "The memorability of Bizet's tunes will keep the music of Carmen alive in perpetuity," and its status as a popular classic is unchallenged by any other French opera. [114] Robert Townsend's 2001 film, Carmen: A Hip Hopera, starring Beyoncé Knowles, is a more recent attempt to create an African-American version. [94] The confident, off-stage sound of the departing Escamillo singing the toreador's refrain provides a distinct contrast to José's increasing desperation. For other uses, see. [62][63] Carmen was also acclaimed in numerous French provincial cities including Marseille, Lyon and, in 1881, Dieppe, where Galli-Marié returned to the role. ... Entstanden als Frucht der französischen Romantik ist Carmen bis heute die meist aufgeführte Oper weltweit. März 1875 in der Opéra Comique bei der Uraufführung durchgefallen, gehört heute zu den beliebtesten und meistgespielten Stücken des internationalen Musiktheaters. [89] A muted reference to the fate motif on an English horn leads to José's "Flower Song", a flowing continuous melody that ends pianissimo on a sustained high B-flat. Outside, a chorus and procession announces the arrival of the toreador Escamillo ("Vivat, vivat le Toréro"). In her act 1 defiance of Zuniga, Carmen sings the words "Coupe-moi, brûle-moi", which are taken from Mérimée's translation from Pushkin. [38], The search for a singer-actress to play Carmen began in the summer of 1873. As José makes his last entreaty, Carmen contemptuously throws down the ring he gave her and attempts to enter the arena. The pair fight ("Je suis Escamillo, toréro de Grenade"), but are interrupted by the returning smugglers and girls ("Holà, holà José"). In act 3 only Micaëla's aria earned applause as the audience became increasingly disconcerted. José is left behind on guard duty. Brahms besuchte über zwanzig … [58] Among those who attended one of these later performances was Tchaikovsky, who wrote to his benefactor, Nadezhda von Meck: "Carmen is a masterpiece in every sense of the word ... one of those rare creations which expresses the efforts of a whole musical epoch. It has become a tradition in the sport, and is the point at which the winners spray each other with champagne. De Leuven reluctantly agreed, but his continuing hostility towards the project led to his resignation from the theatre early in 1874. Au secours! He was pleased with the result, informing a friend: "I have written a work that is all clarity and vivacity, full of colour and melody. "; as the crowd exits the arena, José confesses to killing Carmen. José's pleasure at meeting the bullfighter turns to anger when Escamillo declares his infatuation with Carmen. This has deterred some of opera's most distinguished exponents; Maria Callas, though she recorded the part, never performed it on stage. The smugglers depart to transport their goods while the women distract the local customs officers. Obwohl formal eine Opéra-comique und auch als solche bezeichnet, war Carmen „ein revolutionärer Bruch“ mit dieser Operngattung. [2][3], When artistic life in Paris resumed after the Franco-Prussian War of 1870–71, Bizet found wider opportunities for the performance of his works; his one-act opera Djamileh opened at the Opéra-Comique in May 1872. Namensbedeutung. Axel Köhler Mein Ansatz war ein Spagat zwischen Klischeevermeidung und ganz bewusstem Spiel mit dem Klischee, um es unter Umständen wiederum zu brechen. Ihre Leidenschaft gilt dem Messen der Kräfte, die Lebensgefahr kalkuliert sie ein. After the premiere, most reviews were critical, and the French public was generally indifferent. Die Jugendkantorei der Evangelischen Singakademie sowie Chor & Extrachor des Staatstheaters: erstklassik. CARMEN - DER FILM 4.1. These include David McVicar's Glyndebourne production of 2002, and the Royal Opera productions of 2007 and 2010, each designed by Francesca Zambello. [68], The popularity of Carmen continued through succeeding generations of American opera-goers; by the beginning of 2011 the Met alone had performed it almost a thousand times. [29], Act 2 begins with a short prelude, based on a melody that José will sing offstage before his next entry. [19] The two principals, José and Carmen, lie outside the genre. PROSPER MÉRIMÉE (*1803-1870†) 2.2. Carmen - Wie Oper funktioniert (interaktiv) Produktion Laufzeit 136 min f Merkliste Weitere Medien mit Themenbezug. [88] José's appearance precipitates a long mutual wooing scene; Carmen sings, dances and plays the castanets; a distant cornet-call summoning José to duty is blended with Carmen's melody so as to be barely discernible. ... Carmen (Oper in 4 Akten) (Gesamtaufnahme) 1. Opéra comique en quatre actes. [58], In the following five years performances were given in numerous American and European cities. Two months have passed. She had sung leading roles in many of Offenbach's operas, but she was unacceptable to Bizet and was turned down by du Locle as unsuitable. Carmen, zunächst vom Publikum nicht angenommen, erhielt Lob von berühmten Zeitgenossen wie Debussy, Nietzsche, Saint-Saëns und Tschaikowski. [9] Bizet may first have encountered the story during his Rome sojourn of 1858–60, since his journals record Mérimée as one of the writers whose works he absorbed in those years. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers ("Suis-nous à travers la campagne"). [83][85] When the curtain rises a light and sunny atmosphere is soon established, and pervades the opening scenes. ma Carmen adorée! Carmen! Micaëla enters with a guide, seeking José and determined to rescue him from Carmen ("Je dis que rien ne m'épouvante"). [39] In September an approach was made to Marie Roze, well known for previous triumphs at the Opéra-Comique, the Opéra and in London. A parallel London production at Covent Garden, with Adelina Patti, was cancelled when Patti withdrew. Escamillo enters with Carmen, and they express their mutual love ("Si tu m'aimes, Carmen"). Her capriciousness, fearlessness and love of freedom are all musically represented: "She is redeemed from any suspicion of vulgarity by her qualities of courage and fatalism so vividly realised in the music". Carmen ( französisch: [kaʁ.mɛn] ) ist eine Oper in vier Akten des französischen Komponisten Georges Bizet .Das Libretto wurde von Henri Meilhac und Ludovic Halévy nach der gleichnamigen Novelle von Prosper Mérimée geschrieben .Die Oper wurde am 3. Carmen Oper von Georges Bizet Libretto von Henri Meilhac und Ludovic Halévy nach der gleichnamigen Novelle von Prosper Mérimée In französischer Sprache mit deutschen Übertiteln. [73], Dean has commented on the dramatic distortions that arise from the suppression of the dialogue; the effect, he says, is that the action moves forward "in a series of jerks, rather instead of by smooth transition", and that most of the minor characters are substantially diminished. On the left, a guardhouse. [19] Dean sees Bizet's principal achievement in the demonstration of the main actions of the opera in the music, rather than in the dialogue, writing that "Few artists have expressed so vividly the torments inflicted by sexual passions and jealousy." Eindeutiger Star ist unstrittig Christa Ludwig in der Titelpartie. In August 1881 the singer wrote to Bizet's widow to report that Carmen's Spanish premiere, in Barcelona, had been "another great success". Übersetzen Sie online den Begriff Carmen (oper) nach Deutsch und downloaden Sie jetzt unseren kostenlosen Übersetzer. Carmen (Poesie), in der frühen Neuzeit in Verse gesetzte Texte (nach dem lateinischen Wort carmen für Lied, Strophe, Gedicht, Zauberformel, Pl. As the women go back to the factory, Micaëla returns and gives José a letter and a kiss from his mother ("Parle-moi de ma mère!"). Habanera, oder L’amour est un oiseau rebelle (dt.Die Liebe ist ein wilder Vogel), ist der Name einer bekannten Arie aus Carmen, einer Oper von Georges Bizet.Die Uraufführung fand am 3. Newman describes it as "an exquisite miniature, with much dialoguing and intertwining between the woodwind instruments". They are more akin to the verismo style that would find fuller expression in the works of Puccini. Carmen (French: [kaʁ.mɛn]) is an opera in four acts by French composer Georges Bizet. After her provocative habanera, with its persistent insidious rhythm and changes of key, the fate motif sounds in full when Carmen throws her flower to José before departing. On the right, a door to the tobacco factory. "[33] The music characterizes his gradual decline, act by act, from honest soldier to deserter, vagabond and finally murderer. [64] But Carvalho, who had assumed the management of the Opéra-Comique, thought the work immoral and refused to reinstate it. [26], After the various delays, Bizet appears to have resumed work on Carmen early in 1874. "[49] Halévy recorded his impressions of the premiere in a letter to a friend; the first act was evidently well received, with applause for the main numbers and numerous curtain calls. Dean places Bizet's realism in a different category from the verismo of Puccini and others; he likens the composer to Mozart and Verdi in his ability to engage his audiences with the emotions and sufferings of his characters. Au secours! After the composer's death, the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet's intentions. Clip zugehörig zu. März 1875 in der Opéra-Comique in Paris statt. Original Instrumentierung : 2/2/2/2- 4/2/3- timp, percu,- 2 harps- strings. Februar 2010, 19.00 Uhr an der Volksoper Wien Werkbeschreibung: Die feurige Carmen verdreht ganz Sevilla den Kopf! [93] When Micaëla pleads with José to go with her to his mother, the harshness of Carmen's music reveals her most unsympathetic side. Mehr von Georges Bizet gibt es im Shop. [45], Because rehearsals did not start until October 1874 and lasted longer than anticipated, the premiere was delayed. März 1875 in der Opéra-Comique in Paris statt. Voici la quadrille!"). Micaëla is discovered; at first, José will not leave with her despite Carmen's mockery, but he agrees to go when told that his mother is dying. Carmen - Wie Oper funktioniert: Einführung: Uraufführung und Rezeption ... Carmen - Wie Oper funktioniert: Akt 2: Don José als Figur (Interviews) Filmclip Laufzeit 2:00 min f 6 (Chamber Fantasy on Themes from Bizet's Carmen)", "Up-dated Translation of Bizet Work Bows", "Dada Masilo: South African dancer who breaks the rules", "The most memorable times classical music was used in sport", The New Grove Dictionary of Music and Musicians, "Introduction: Looking at the Sources and Editions of Bizet's Carmen", International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Carmen&oldid=1017661835, Opera world premieres at the Opéra-Comique, Pages containing links to subscription-only content, Short description is different from Wikidata, Wikipedia articles needing clarification from February 2021, Articles with International Music Score Library Project links, Articles with French-language sources (fr), Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Sur la place chacun passe (Chorus of soldiers, Moralès, Micaëla), Avec la garde montante (Chorus of urchins, Zuniga), La cloche a sonné (Chorus of citizens, soldiers, cigarette girls), Carmen! She refused the part when she learned that she would be required to die on stage. In February 1876 it began a run in Brussels at La Monnaie; it returned there the following year, with Galli-Marié in the title role, and thereafter became a permanent fixture in the Brussels repertory. When challenged, Carmen answers with mocking defiance ("Tra la la ... Coupe-moi, brûle-moi"); Zuniga orders José to tie her hands while he prepares the prison warrant. At the back, a bridge. "[33], Carmen herself, says Dean, is a new type of operatic heroine representing a new kind of love, not the innocent kind associated with the "spotless soprano" school, but something altogether more vital and dangerous. Fritz Oeser's 1964 edition is an attempt to fill this gap, but in Dean's view is unsatisfactory. Ernst Eulenberg Ltd, 1992, 2003, pXVIII. After her beguiling "Seguidilla" provokes José to an exasperated high A sharp shout, Carmen's escape is preceded by the brief but disconcerting reprise of a fragment from the habanera. "[55] It seemed that Bizet had generally failed to fulfill expectations, both of those who (given Halévy's and Meilhac's past associations) had expected something in the Offenbach mould, and of critics such as Adolphe Jullien who had anticipated a Wagnerian music drama. Wie gehen Sie damit um? Carmen (French: [kaʁ.mɛn]) is an opera in four acts by French composer Georges Bizet. [53] Others compared the work unfavourably with the traditional Opéra-Comique repertoire of Auber and Boieldieu. [81] While he places the opera firmly within the long opéra comique tradition,[82] Macdonald considers that it transcends the genre and that its immortality is assured by "the combination in abundance of striking melody, deft harmony and perfectly judged orchestration". [33] Micaëla's music has been criticised for its "Gounodesque" elements, although Dean maintains that her music has greater vitality than that of any of Gounod's own heroines. [71] Most of the productions outside France followed the example created in Vienna and incorporated lavish ballet interludes and other spectacles, a practice which Mahler abandoned in Vienna when he revived the work there in 1900. eBay Kleinanzeigen: Carmen Oper, Kleinanzeigen - Jetzt in Baden-Württemberg finden oder inserieren! FAZIT 6. He reads that his mother wants him to return home and marry Micaëla, who retreats in shy embarrassment on learning this. Qui va là? LITERATURVERZEICHNIS Carmen has a husband called Garcia, whom José kills during a quarrel. Meilhac and Hálevy were more prepared to countenance a revival, provided that Galli-Marié had no part in it; they blamed her interpretation for the relative failure of the opening run.
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